{"id":12,"date":"2023-11-05T23:05:19","date_gmt":"2023-11-05T15:05:19","guid":{"rendered":"https:\/\/artehistoria.net\/?p=12"},"modified":"2023-11-05T23:05:19","modified_gmt":"2023-11-05T15:05:19","slug":"the-application-of-alumina-ceramics-in-medicine","status":"publish","type":"post","link":"https:\/\/artehistoria.net\/es\/aplicacion-de-la-ceramica-de-alumina-en-medicina\/","title":{"rendered":"Aplicaci\u00f3n de la cer\u00e1mica de al\u00famina en medicina"},"content":{"rendered":"<p>En medicina, la cer\u00e1mica de al\u00famina se utiliza m\u00e1s com\u00fanmente para fabricar huesos, articulaciones y dientes artificiales. La cer\u00e1mica de al\u00famina tiene una excelente biocompatibilidad, inercia biol\u00f3gica, estabilidad fisicoqu\u00edmica, alta dureza y gran resistencia al desgaste, lo que la convierte en un material ideal para preparar huesos y articulaciones artificiales. Pero tiene los mismos inconvenientes que otros materiales cer\u00e1micos, como su alta fragilidad, baja tenacidad a la fractura, alta dificultad en la tecnolog\u00eda de mecanizado y proceso complejo, por lo que es necesario seguir investigando y aplicando.<\/p>\n<p>La hidroxiapatita tiene una buena biocompatibilidad y bioactividad, y su excelente efecto de conducci\u00f3n \u00f3sea ha sido verificado por numerosos resultados de investigaci\u00f3n. Actualmente es el material cer\u00e1mico \u00f3seo artificial m\u00e1s prometedor. Sin embargo, la hidroxiapatita pura tiene malas propiedades mec\u00e1nicas y es dif\u00edcil utilizarla como material sustitutivo del hueso de carga. Se espera que el material \u00f3seo artificial cer\u00e1mico de hidroxiapatita de al\u00famina sinterizado mediante tecnolog\u00eda de plasma de descarga se convierta en un material \u00f3seo portante ideal al introducir la fase de refuerzo de dispersi\u00f3n Al2O3 para mejorar las propiedades mec\u00e1nicas del material. Esto no s\u00f3lo mantiene la actividad biol\u00f3gica de la hidroxiapatita, sino que tambi\u00e9n mejora las propiedades mec\u00e1nicas del material.<\/p>\n<p>El material \u00f3seo artificial de hidroxiapatita cer\u00e1mica de al\u00famina tiene un gran n\u00famero de aplicaciones en el campo de la reparaci\u00f3n \u00f3sea humana. En la cirug\u00eda ortop\u00e9dica cl\u00ednica, los defectos \u00f3seos suelen requerir una gran cantidad de materiales de reparaci\u00f3n. En la actualidad, los materiales de reparaci\u00f3n habituales incluyen hueso propio, hueso alog\u00e9nico y materiales sint\u00e9ticos artificiales. Aunque el trasplante \u00f3seo aut\u00f3logo no presenta rechazo inmunol\u00f3gico y ofrece buenos resultados, su selecci\u00f3n de materiales es limitada; el trasplante \u00f3seo alog\u00e9nico es propenso al rechazo inmunol\u00f3gico y tiene malos efectos de reparaci\u00f3n; los materiales sint\u00e9ticos artificiales, que son b\u00e1sicamente materiales biodegradables, no pueden reparar la zona del defecto. Por lo tanto, la b\u00fasqueda de biomateriales con buenas propiedades fisicoqu\u00edmicas y biol\u00f3gicas como materiales de trasplante \u00f3seo se ha convertido en un punto caliente de la investigaci\u00f3n. El material \u00f3seo artificial de hidroxiapatita cer\u00e1mica de al\u00famina ha resuelto estos problemas. Tiene propiedades fisicoqu\u00edmicas estables, y su dureza, resistencia a la flexi\u00f3n y tenacidad a la fractura son similares a las del hueso humano. Adem\u00e1s, la desinfecci\u00f3n convencional no altera sus caracter\u00edsticas biol\u00f3gicas.<\/p>","protected":false},"excerpt":{"rendered":"<p>In medicine, alumina ceramics are more commonly used for manufacturing artificial bones, joints, and teeth. alumina ceramics have excellent biocompatibility, [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[2],"tags":[],"class_list":["post-12","post","type-post","status-publish","format-standard","hentry","category-news"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/posts\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":1,"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/posts\/12\/revisions"}],"predecessor-version":[{"id":13,"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/posts\/12\/revisions\/13"}],"wp:attachment":[{"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/media?parent=12"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/categories?post=12"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artehistoria.net\/es\/wp-json\/wp\/v2\/tags?post=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}